What Is To Be Undone



The hate and the violence in my heart, you put it there. All I am doing is trying to get rid of it. Every stone, every hit, every smashing thing, every barricade on fire carries a little hate with it. A tiny bit of violence that you gave me without asking me if I wanted it. So now you're getting it back.

And one day, when it has all left me. I will realise that I have no more hatred to give. No more violence to return to you. I'll probably cry.

Happy Birthday Mein Führer... I mean Mr President

This is a poster/flyer for a Down/Melvins/Weedeater concert. Probably the best thing. Ever.

The original can be found here.

Ignorance and Fear

This is a 1918 german anti-anarchism propaganda poster. It reads: Misery and destruction follow anarchy.

Death to Art Critics

Fuck Roger Ebert. Yes, fuck him. Fuck film critics in general. Some people hate artists because they're pretentious or arrogant. I don't, they're just fools. But art critics. Oh. They are the parasite that feeds off the fool. And everyone else. They survive by trying to convince people that their opinion weighs more than anyone else's. And while they try to convince everyone else they also convince themselves. So they slowly adopt the appearance of a judge, condemning or praising a piece of creation based on their own, oft ill-informed, subjective criteria.
I fucking hate art critics. And most of all film critics. They have even developed their own dialect which they try to make more and more exclusive so that people will feel more and more stupid for not being privy to their secrets. In essence, it is yet another glorified boys' club.
Not to mention they diss films I like and praise some of the dullest, most uninspired shite that was ever shat into creation. So yeah. Fuck them.

Chasseurs de Skins

These young men refused the brand of victimisation through the technique of cracking nazi skulls. And here I am, unable to stop thinking how hot they look.

The Butterfly and the Chair

Excerpt of a letter from Subcomandante Marcos to Angel Luis Lara, 12 October 2002.

the butterfly

Rebellion is like the butterfly that flies out towards that sea without islands or rocks. It knows that there will be no resting place, and yet it does not waver in its flight. And no, neither the butterfly nor rebellion are foolish or suicidal; the thing is, they know that they'll have a resting place, that out there is a huge old island that no satellite has ever detected. And this big island is a sister rebellion which will set out just when the butterfly, that is, the flying rebellion, starts to falter. Then the flying rebellion, that is, the sea butterfly, will become part of that emergent island, and will be the landing point for another butterfly already beginning its determined flight towards the sea. This would be no more than a mere curiosity in biology books, but as I-don't-know-who said, the flutter of a butterfly wing is often the origin of the greatest hurricanes. With its flight, the flying rebellion, that is, the butterfly, is saying NO!

No to logic. No to prudence. No to immobility. No to conformism.

And nothing, absolutely nothing, will be as wonderful as seeing the audacity of that flight, appreciating the challenge it represents, feeling how it starts to agitate the wind and seeing how, with those drafts, it is not the leaves of the trees that tremble, but the legs of the powerful who until then naively thought that butterflies died if they flew out over the sea.

...........................................................

And there are times that butterflies from all over gather, and then there is a rainbow. And the task of butterflies, as any respectable encyclopedia will tell you, is to bring the rainbow down closer so children can learn how to fly.

the chair

The Revolutionary (like that, with capital R) scorns ordinary chairs and says to others and himself: “I don't have time to sit down, the heavy mission commended to me by History (like that, with capital H) prevents me from distracting myself with nonsense.” He goes through life like this until he runs into the chair of Power. He throws off with one shot whomever is sitting on the chair, sits down and frowns, as if he were constipated, and says to others and himself: “History (like that, with capital H) has been fulfilled. Everything, absolutely everything, makes sense now. I am sitting on the Chair (like that, with capital C) and I am the culmination of the times.” There he remains until another Revolutionary (like that, with capital R) comes by, throws him off and history (like that, with small h) repeats itself. The rebel (like that, with small r), on the other hand, when he sees an ordinary chair, examines it carefully, then goes and puts another chair next to it, and another and another, and soon, it looks like a gathering because more rebels (like that, with small r) have come, and then the coffee, tobacco and the word begin to circulate and mix, and then, precisely when everyone starts to feel comfortable, they get antsy, as if they had ants in their pants, and they don't know if it's from the coffee or the tobacco or the word, but everyone gets up and keeps on going the way they were going. And so on until they find another ordinary chair and history repeats itself. There is only one variation, when the rebel runs into the Chair of Power (like that, with capital C, capital P), looks at it carefully, examines it, but instead of sitting there he goes and gets a fingernail file and, with heroic patience, he begins sawing at the legs until they are so fragile that they break when someone sits down, which happens almost immediately.

Shamelessly taken from here
The whole thing here (in .pdf)